Tuesday, December 1, 2020

TV style icons of 2020: Michael Jordan's sartorial slam dunk

TV style icons of 2020: Michael Jordan's sartorial slam dunk

Jordan’s sneakers are his Batmobile. When Nike launched the Air Jordan 1s in 1984, it predicted sales of $3m; the shoes banked $126m. Brand Jordan was born, a Nike division in its own right, and with it the mythology of Jordan as not just a basketball court legend but a hero. With serendipitous timing, the Dior designer Kim Jones last year unveiled an ultra high-end luxury homage to the thinking sneakerhead’s favourite trainer, with his handmade-in-Italy limited edition Air Dior. The March 2020 launch date was postponed due to the pandemic; by the time they went on sale in July, The Last Dance had turbocharged the Jordan hype. Even with a £1,800 price tag, these shoes were harder to get hold of than Dorothy’s ruby slippers.

The original Nike Air Jordans were red, white and black, to match the Chicago Bulls uniform. But the resulting Jordan mythology soon soared way above the basketball court and slam-dunked their namesake into popular culture. Jordan became a larger-than-life character and a visual brand, mapping out a master plan that has been followed ever since, by athletes including Tiger Woods, Tom Brady, David Beckham and Cristiano Ronaldo.

A pioneer of peacocking in sportswear, Jordan turned stadiums into his personal catwalks in the 1980s and 90s with his Nike berets, earrings, supersized tailoring – and, of course, his shoes. Air Jordans became an extension of the star’s personal brand to a degree that few collaborations have matched. In the wake of the show’s success, Air Jordan mania exploded. Last month, a pair of Air Jordans once worn by the player on court, in the iconic red, black and white colourway, sold at a Sotheby’s auction for $560,000 (£455,000) – more than three and a half times their initial high estimate, and a new world record for a sneaker auction.

Compared with Sotheby’s prices, £2,000 for a pair of trainers is – well, not exactly a bargain. But certainly not the craziest thing to happen this year.


Every great fashion brand is defined by a signature shape, and Jordan is no exception. Dior had the New Look, Chanel had the boxy skirt suit – and Jordan had the supersized silhouette. Basketball worships height – Jordan is 6ft 5in, and in his prime he could jump to bring his head level with the 10ft-high rim of the hoop. The aesthetic of the classic shorts-and-vest is oversized and airy. Jordan brought this height and volume into his spectacular off-duty wardrobe, which, in the 90s, revolved around oversized power tailoring and shiny leisurewear. The suits were there to make the point that Jordan was no sporting journeyman, but a bona fide business mogul. The quilted bomber jackets, the diamond hoop earring, the signature beret. This was the 90s and celebrities came larger than life.

Jordan wore his suit jackets extra wide across the shoulder, and extra long. What fits as a jacket on Jordan would be an overcoat on almost everyone else – a neat reminder that he is no mere mortal. His trousers were pleated for extra fullness and worn belted and high-waisted for added length. It is not just the sporting footage that showcases his elongated frame in The Last Dance. When he is filmed sitting down, his knees rise into the foreground of every shot. Set against the popcorny palette of televised sports events, where every available angle flashes advertising in the national colours of Coca-Cola and McDonald’s, Jordan’s suits are notable for their muted colours. He wears taupe and stone-grey, tones that in the 90s helped him stand out against his environment – and which in 2020 make him look eerily contemporary, like a supersized Kanye West.


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